Kultura…

The contemporary identity museum is the kind of institution that is as central for our time as the imperial art museum was for 19th-century Europe.
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All across Europe attitudes are stiffening toward immigration, nowhere more so than in Italy.
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“The Betrayal,” a documentary about a refugee family directed by the cinematographer Ellen Kuras, stretches most definitions of a marathon shoot.
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“The Betrayal,” a documentary about a refugee family directed by the cinematographer Ellen Kuras, stretches most definitions of a marathon shoot.
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Increasingly, refugee camps have become de facto cities, and cities have become extended refugee camps. Is there a place here for architects?
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In Harry Bernstein’s memoir of immigrating to the United States in the 1920s, the new world’s disappointments are nothing compared to the harm his family members do to each other.
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Although “Sangre de Mi Sangre” exhibits a heartfelt connection with illegal immigrants, its myriad inconsistencies and strained plotting are frustrating.
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Although “Sangre de Mi Sangre” exhibits a heartfelt connection with illegal immigrants, its myriad inconsistencies and strained plotting are frustrating.
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The themes of regret, jealousy, immigration and domestic violence central to “Street Scene,” Kurt Weill’s 1947 opera about life in a New York tenement, are still relevant.
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The themes of regret, jealousy, immigration and domestic violence central to “Street Scene,” Kurt Weill’s 1947 opera about life in a New York tenement, are still relevant.
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