Kultura…

July 9, 2008

Cannes Success Gives Italian Cinema a Boost

When two Italian films won the top runner-up prizes at the Cannes Film Festival in May, the reaction at home was akin to that usually reserved for victorious national soccer teams.
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May 29, 2008

Cannes Journal: As Star Power Leaves, Residents Start Recovery

In the aftermath of the Cannes Film Festival, the Cannois began to re-emerge on the streets of their own city, blinking a little, as if seeing the place for the first time.
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May 26, 2008

At Glittery Cannes, a Gritty Palme d’Or

At the closing ceremony of the 61st Cannes Film Festival, the red carpet was overrun by teenagers when the French film “The Class” (“Entre les Murs”) won the Palme d’Or.
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At Glittery Cannes, a Gritty Palme d’Or

At the closing ceremony of the 61st Cannes Film Festival, the red carpet was overrun by teenagers when the French film “The Class” (“Entre les Murs”) won the Palme d’Or.
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May 24, 2008

Cannes Journal: A Cantankerous Crowd in No Mood for Love

The predictably cranky and impatient press audience offered little love to Philippe Garrel’s “Frontier of Dawn” at the Cannes Film Festival on Thursday.
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May 23, 2008

Cannes Journal: Soderbergh and Che, Provocateurs

At Cannes, the expectations surrounding “Che,” Steven Soderbergh’s biopic of Ernesto Guevara, could hardly have been higher.
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May 22, 2008

Movie Review | ‘Indiana Jones and the Kingdom of the Crystal Skull’: The Further Adventures of the Fedora and Whip

There’s plenty of frantic energy in “Indiana Jones and the Kingdom of the Crystal Skull,” lots of noise and money too, but what’s absent is any sense of rediscovery.
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Cannes Journal: Where Children Fight the Wars, Innocence Dies First

“Johnny Mad Dog” is an assaultive fiction about Liberian child soldiers and “Delta” is a Hungarian film that rigorously upholds the conventions of the festival art film genre.
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May 21, 2008

Cannes Journal: Auteur Who’s Ripe for French Discovery

With “Two Lovers,” the director James Gray has jettisoned the urban-crime-genre trappings of his first three features and made a romantic comedy.
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Cannes Journal: Auteur Who’s Ripe for French Discovery

With “Two Lovers,” the director James Gray has jettisoned the urban-crime-genre trappings of his first three features and made a romantic comedy.
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