Samuel Adamson’s “Some Kind of Bliss” is a beautifully written if somewhat slight play.
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Philip Ridley’s drama makes it clear that a fully functioning, top-of-the-line haunted house can be erected from the dustiest blueprint.
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The virtues of this chamber musical are small-scale and traditional.
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“Artefacts,” the compelling bullet of a play in this year’s Brits Off Broadway festival, takes place on a smoky stage in the round that has the dark, hazy look of a bad dream.
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A lot of well-acted rage by the three-member cast of “Blink” feels as if it’s bouncing off the walls rather than striking a target.
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The Scottish playwright David Greig has done something daring by setting this comedy of clashing cultures in the hothouse Middle East.
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In his furious satire “The Unconquered,” part of the Brits Off Broadway festival at 59E59 Theaters, the British playwright Torben Betts shakes the daylights out of the smarmy idea of freedom.
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In his furious satire “The Unconquered,” part of the Brits Off Broadway festival at 59E59 Theaters, the British playwright Torben Betts shakes the daylights out of the smarmy idea of freedom.
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Some of Off Broadway’s most prominent houses are moving beyond the usual slate of plays, musicals and talkbacks.
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This breathless drama from the Scottish playwright David Greig kicks off the Brits Off Broadway Festival with a fierce little bang.
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