Despite some memorable individual performances and inspired moments from the corps, a sense of potential unrealized.
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Despite some memorable individual performances and inspired moments from the corps, a sense of potential unrealized.
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“Giselle” is certainly a classic, and in American Ballet Theater’s production little gets in the way of the traditional ballet.
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City Center’s ever-shifting plans for renovation have started to take a toll on the schedules of New York dance institutions.
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A balletic version of Franz Lehar’s operetta, “The Merry Widow, ”is a silly, antiquated concoction — and more a test of acting than of dancing.
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American Ballet Theater’s production of “La Bayadère” can leave you feeling as if you’ve stumbled, perhaps after a few drinks, onto a dusty old movie set.
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Of the 19th-century classics that dominate today’s ballet repertory, “The Sleeping Beauty” is the most multilayered, the most abundant in telling detail, the most blessed with a score of miraculous eloquence.
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Of the 19th-century classics that dominate today’s ballet repertory, “The Sleeping Beauty†is the most multilayered, the most abundant in telling detail, the most blessed with a score of miraculous eloquence.
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“Don Quixote” was performed on Monday with a good deal of flair and an enlivening sense of fun.
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“Rabbit and Rogue,” Twyla Tharp’s new work for American Ballet Theater, tries to blend the comic and the profound.
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